Skip to main content

When I Was In Rolling Stone Magazine

 


When I saw my photo in Rolling Stone magazine, I thought God was telling me to move to New York.

Here I am in the October 6th, 1988 issue. A poor man's Bowie, sitting with other members of my "History of Rock and Roll" class, part of my pop culture minor at Bowling Green State University. (Group photo below)

At the time, BGSU had one of the only academic popular culture programs dedicated to America's most influential global export. 

Far more serious than it sounds, the course laid out how rock was born from the blues and country (and folk, and gospel, and jazz...) and exploded during the cultural revolution of the prior four decades. 

Sure it was fun, but it was also a lot of papers explaining how America's greatest export reflected the good, the bad, and the angst in our society. 

Rolling Stone decided to spotlight the program and sent writer Anthony DeCurtis to observe our class and interview some students afterwards. I was invited and even got quoted in the story:

"I think the main reason the classes are looked upon as a blow-off is that the people who come to them enjoy them," says Brett Henne, a journalism student who has taken a few popular-culture courses. "If you enjoy a class, it doesn't necessarily make it a blow-off. It just means you're interested in learning." 

Whoa. Those last lines are a t-shirt, right?

One of the class experiments earlier in the semester was to dress up as punks and walk around campus to gauge other students' reactions. I didn't feel like getting spat on, so I sat that one out. But when Rolling Stone wanted to photograph us re-creating the punk experiment, I suddenly conjured up an all-black goth ensemble with a touch of lip and guyliner. 



Photo: Chip Simons

Later, after the group interview, I saw my opening for the Big Time and ran up to DeCurtis. 

"It's the yuppie in me, but does Rolling Stone offer internships?"

DeCurtis brightly confirmed, but added, "I'm embarrassed to say that they don't pay." 

I nodded and said, "That's OK! and kept nodding, trying to fool myself it really was all right.

"I think I have...," he fished out a business card from his wallet. "Yes, here's our internship coordinator. Reach out to her and tell her we spoke."

The magazine's red iconic logo was emblazoned across the top of the card. 

I ran all the way back to my apartment to show my roommates, jumping up and down like I had just won Willy Wonka's gold ticket.

Maybe this was my ticket to the Big Apple. 















Comments

  1. I really thought you would have paid tribute and channeled your inner cameron crowe by titling your latest segment "when I was almost famous". And thank you for not going for the Dr. hook approach.

    ReplyDelete
    Replies
    1. Oh! Missed opportunity! Just re-watched that movie. Forgot how great Frances McDormand is as the mother.

      Delete

Post a Comment

Popular posts from this blog

Van Halen vs. Tone-Loc

This week in 1989, Tone-Loc was blocked from the #1 spot on Billboard's Hot 100 by Paula Abdul and her first hit song "Straight Up."  Sharp-eyed readers will note that this is the third mention of Abdul on this blog, something I never would have guessed when I launched this.  Anyway, Tone-Loc's "Wild Thing" rocketed into the hearts of music lovers around the world thanks to a classic hip hop move: Borrowing an element from something that was tired at the moment and re-inventing it for new audiences.   In this case, the song's guitar riff and drum roll were instantly identifiable from Van Halen's "Jamie's Cryin'" off their first album in 1978 (!) According to Wikipedia (the primary research resource here at "Little Brett, Big City"), the Van Halen management team allowed the sample to be included in "Wild Thing" for a flat fee of $5,000.  But apparently the band members hadn't heard anything about it. Drummer...

l i t t l e b r e t t , BIG CITY

When I left college in 1989, I was a virgin with corn-fed drive and a terrifying secret. It could disappoint or disgust my family and friends. It could even kill me. But I couldn’t hide from it anymore.  With "The World's Heaviest Briefcase," I escaped on a midnight train from Lima, Ohio to the YMCA on West 34th Street in Manhattan. Being gay had to be easier in New York, even though I was arriving with no home or job.   Right away, a hooker chased me in Times Square, and perverts watched me shower at the Y. I filled payphones with quarters each day, desperately seeking work. Ultimately, I was confronted by my biggest fear when dating my first man – a member of AIDS activist group ACT UP.  Could I really survive in one of the hardest cities in the world? Or would I fail and return to Ohio, back in the closet to find a wife and a lawn to mow.   l i t t l e  b r e t t , BIG CITY celebrates finding your own place in the world. Here I...

You Went To School At A Subway Stop?!

In 1989, I graduated from Bowling Green State University. Which is a mouthful. So when people in New York asked me where I went to school. I would just say "Bowling Green."  The first time, I got a quizzical look and a "Huh?" The second person finally asked, "You went to school at a subway station?" My turn to go "Huh?" I then learned that "Bowling Green" is indeed a station on the #4 and #5 lines on the NYC Subway system, way downtown in the Financial District. I'm including a pic of the Bowling Green "head house," which is the rare, above-ground part of a station that contains escalators, elevators, and ticket agents. (Thanks again, Wikipedia.) (Wikimedia Commons/DSchwen) This little beauty is a New York City-designated landmark and is on the National Register of Historic Places. And I still haven't been there yet.